What is Francesco Landini known for?

Francesco Landini ( c. 1325 – 2 September 1397; also known by many names) was an Italian composer, organist, singer, poet and instrument maker who was a central figure of the Trecento style in late Medieval music.

Who were Francesco Landini’s influences or teachers?

Francesco, blinded by smallpox in early childhood, probably studied music under Jacopo da Bologna, developing a prodigious memory and great skill at improvisation. He also worked in philosophy and astrology, and supported the theories of william of ockham.

Which individuals are known as the School of Notre Dame?

Unsourced material may be challenged and removed. The Notre-Dame school or the Notre-Dame school of polyphony refers to the group of composers working at or near the Notre-Dame Cathedral in Paris from about 1160 to 1250, along with the music they produced.

Where did Francesco Landini work?

Landini was named choirmaster at the church of St. Lorenzo in Florence in 1365, a post that he held until his death in 1397.

Which of the following was regarded as a leading composer of the Ars Nova style?

The most important composers of the Ars Nova are Philippe de Vitry and the composer and poet Guillaume de Machaut, whose work forms a substantial proportion of the surviving repertory.

Who were the two greatest composers of the Notre Dame school?

The composers of the Notre-Dame school are all anonymous except for two, Léonin (q.v.), or Leoninus (late 12th century), and Pérotin (q.v.), or Perotinus (flourished c. 1200), both of whom are mentioned in a 13th-century treatise by an anonymous Englishman studying in Paris.

What is Thomas Tallis most famous song?

He was a true original who made music for the kings and queens of the 16th Century, and who lived in Greenwich. Two of his most famous pieces are Spem In Allium and If Ye Love Me which are still regularly played today.

Who wrote Ars Nova?

composer Philippe de Vitry
The designation Ars Nova, as opposed to the Ars Antiqua (q.v.) of 13th-century France, was the title of a treatise written about 1320 by the composer Philippe de Vitry.